Tag: movies

the dvd collection

Movies on DVD are quickly joining CDs in the physical media graveyard, yet there are a few that I’m compelled to own as a plastic disk. Not many. I finally cashed in a gift card and added two important titles:

Carnival of Souls (1962)
The Brain from Planet Arous (1957)

I add these to my proud collection that includes:

Blade Runner
Kwaidan
Pee-Wee’s Big Adventure
Woodstock
Donnie Darko
The Bride of Frankenstein
The Wizard of Oz
Fellini’s Satyricon
Metropolis
The Lord of the Rings films (extended versions)
(Collection of all episodes of The Prisoner – lost but not forgotten.)
… a few others, like Drugstore Cowboy, Waiting for Guffman, and a bunch of Mystery Science Theater  3000 episodes …

What’s missing? I don’t know. Maybe Queen of Outer Space.

carnival_arous

library & film update

I’m position #191 on 75 copies of the “Queen of Versailles” DVD.
I’m position #761 on 225 copies of the Season Two of “Game of Thrones” DVDs.

In other movie news, I’ll be within several miles of a Walmart store when I pick up my new used vehicle along the used car strip that is Aurora Avenue. This means I can present my Walmart gift card that doesn’t have a PIN and trade it for one that does have a PIN, and then I can use that one to order “The Brain from Planet Arous” from walmart.com, have it shipped to me, and be done with Walmart forever.

Possibly John Agar’s finest moment:

film as lobotomy

Three movies over the weekend equals seven hours+ of brain disengagement. Operation successful. The patient has most likely survived.

“True Grit” is unsentimental and pitch-perfect. There’s some ugly violence in there, but it’s not a film to be sugar-coated. It’s the Coen Brothers, after all. I haven’t seen all their material, but I don’t think much or any of it is sugary. Some awards will be won for this one.
“Deathly Hallows, part 1.” I enjoyed it, but maybe you have to be a Potter fan. Maybe you have to like evil guys with no noses. Cold and dark, compared to the other Potter films. That may be an improvement.
“The Girl Who Kicked the Hornet’s Nest.” Because I didn’t read the books and missed #2 movie I had some catching up to do. But I did and I liked it. Kept me edge-of-seat a good deal of the time.

Saw a trailer for the upcoming “Rabbit Hole,” which looks good in trailer-world. Saw a trailer for what seemed like a wretched movie called “Country Strong.” Another one of those trailers that tells you the entire story, and once you see the whole trite story arc you’ll be glad not to waste time on the film.

Next brain surgery: “The King’s Speech.” Other contenders: “Blue Valentine” Also a new animated film by the makers of “The Triplets of Belleville.” Take my brain. Please.

high school big shot

Spoiler alert–Important plot details revealed
“High School Big Shot” (1959). Betty, high school vixen, wants money and lots of it. She romances both a small time hoodlum and a lonely smart kid when it suits her purposes. She gets both boys mixed up in a high-stakes robbery and everyone ends up either dead or in prison.  The end. By the way, the smart kid’s dad is a depressed alcoholic who hangs himself while the kid is out trying to pull off the heist. Nice, eh? The promo picture gives you a hint about what happens to Betty. I say avoid this one when it comes to your local drive-in theater.

Slumdog Millionaire

This movie is sheer entertainment (excepting, maybe, a few scenes of brutality). It’s got everything, and it’s got it all in non-stop wild colors. You get many on-the-edge-of-your-seat moments, you get romance, you get an eye-opening look into the life of children growing up in the slums around Mumbai, you get great music, you get a clever flashback mode of story telling tied into an Indian version of “Who Wants to be a Millionaire,” and last but not least, you get a large-scale bollywood dance number during the credits.

Looks good on the big screen. Dangblog recommends it to all three of its readers.

religulous

I saw a promotional preview of the film “Religulous” and admit that I laughed throughout. This is Bill Maher’s movie poking at religion and calling out the silliness and danger therein.

A good thing about the film is that Maher makes the subject personal by talking about his own religious background and even interviewing his mother. It helps keep the film down to earth, and avoids making it an exercise in throwing thunderbolts of derision from on high. In addition to pointing out the ridiculous, he also engages in some honest discussion with believers throughout the film.

Another strong point is the fact that Maher is very funny and very sharp. There’s plenty of material out there that barely needs help satirizing, and he gives it just the right touch. Some activities, like speaking in tongues, the movie just shows without comment. They speak for themselves, so to speak. In his discussions along the way, Maher has his arguments well in hand, or at least is edited to look that way. The filmmakers also use wonderful clips from old religious films to liven things up or drive a point home.

A small criticism – Maher gets serious at the end (and I think he had to) but maybe the change in tone from satire to serious could have been handled a little more deftly. Maybe not. And as long as I’m directing in hindsight, I wish he had spent more time on religious moderates and explored what if any culpability they have for not going after the crazies that belong to their own religion. He mentions this, but that’s all. They could have cut the “marijuana church” scenes to make room for this. Those scenes were funny but kind of unnecessary, in my opinion.

The controversies will come hard and fast. Like the producers of “Expelled,” I’ve read that Maher sometimes used a fake, less controversial title for the film to get people to participate and speak on camera. I also don’t remember mention of anything positive about religion, such as the charitable work or supportive community provided by many groups.

In the end, though, he’s got a very funny, entertaining film. It scores some serious points about the absurdity of god beliefs and the frightening prospect of mixing modern technology and politics with bronze age superstition.